Simha Movie Review

Movie: Simha   
My Rating: 3.25/5
Banner: United Movies
Music: Chakri
Cinematography: Arthur Wilson
Editing: Kotagiri Venkateswara Rao
Producer: Paruchuri Kireeti
Story,Screenplay,Dialogues & Direction: Boyapati Sreenu
Cast: Nandamuri Balakrishna, Nayantara, Sneha Ullal, Namitha, K R Vijaya, Saikumar (Malayalam), Hemanth, Rehman, Kota, Brahmi, Ali, Venu Madhav, Dharmavarapu, L B Sriram, Krishna Bhagawan etc
Release Date: 30th April 2010

Review

Story

Sriman Narayana (NBK) is a lecturer at a college and he is known for his strict way, he doesn’t stand injustice and bashes the bulbs out of anyone. In this process, he meets Janaki (Sneha) and she falls for him in due course. But Janaki has got a flashback which has to do with Sriman Narayana as well. What is that flashback? Who is Sriman Narayana? All this forms the rest of the story.

Artists Performance:

Balakrishna has come back to his original form with his punch dialogues, typical body language and mass appeal. However, age is showing on him and voice has stuttered a bit, overall he carried his bit well with his blissful smile.

Sneha Ullal is sweet but her blank expressions still continue. She must learn to open her mouth and speak while saying the dialogues. Looks wise she rocks.

Nayantara looks elegant and is all decked up like a bride at all times. Her role was brief but she did justice to it.

Namitha covers half of the screen and seems to be building up pounds with each passing film. It is about time she does something about her flab.

K R Vijaya has come back after a hiatus of sorts but she still has that composure and grace, she was the apt choice for her role.

Sai Kumar (Malayalam) was okay, Aditya Menon was apt, he has strong screen presence, Brahmi was wasted, Ali was not used, Krishna Bhagawan was barely there, Venu brought few forced smiles, Rehman was standard, LB was regular, Kota was nice, Jeevi, Kinnera, Shravan, Anand Bharathi, Sana and others did their bit to add value.

Technical Departments:

Story of the movie is not new, but follows a time-tested formula. Boyapati Seenu who mastered mass treatment to his movies like Bhadra and Tulasi made sure that there are ample commercial elements that satisfy the thrust of masses and fans. He projected Bala Krishna in the right way and extracted powerful mass performance. Screenplay of the movie is predictable. Direction is good in parts. Though masses might like it, the violence in the movie is very excessive. He should have softened blood-shed and tamed the commercial elements to make this movie a universally appealing one.

Music by Chakri is okay. Bangaru Konda is nice and it is picturized well. Cinematography is nice. Dialogues by Boyapati Seenu deserve a special mention. He wrote powerful dialogues to Bala Krishna and made sure that Bala Krishna delivers them to the maximum effect. Editing is alright. Producer has spent a lot of money on the movie and it is shown on screen.

Final Analysis:

Songs scored good marks on a whole.

‘Simha Simha…’ was shot on Namita and Balakrishna and it’s visually just ok.
‘Orabba..’ is the number shot in a pub with Balayya, Namitha and Sneha Ullal. When Sneha Ullal was seen in a frame with Namitha, she looked like a scooty beside lorry.
‘Bangaru Konda..’ has captivated with rich costumes on Nayantara and Balayya.
‘Kanulara..’ is on Nayan, Balayya and family members in temple background which is good to watch
‘Janaki Janaki..’ is with Balayya and Sneha Ullal and that’s good to watch.
The song ‘Achcha hai acha hai…’ is missing totally.

First half is average with no exciting moments and the second half is packed with high dose action-, although predictable. On a whole, it’s a treat for fans, headache for family audiences and a disappointment for those who wish to watch something new and fresh.

After a long gap, it’s a relief for Balakrishna’s fans. The movie scores good this time. But there is no freshness in story line or narration part. It’s the same old cutting heads with axe and there is some change in the design of weapon. The climax sequence is lifted from Magadheera with the fight scene in the same old place where the protagonist’s father fights and dies.

The dialogues of Balayya brought good response in theatres:

Nenu maatladetappudu nee chevule pani cheyyali. Adi tappa vere edainaa pani cheste neeku next birth day undadhu.

Charitra srushtinchalanna, tiraga raayalanna maa vamsame cheyyaali

Although they aren’t great dialogues to underline, the fans those awaited an action packed movie from many years are taking them as holy sentences.

In a fight scene Balayya’s punch of the fist lands on the face of a patient who lies in coma for 28 years. The patient gets up instantly. Doctors get stunned and exclaim, “Wow! What a wonder. Science andani power itani punch lo undi”. Thank god! The director limited the exaggeration with one scene. Otherwise, it would have become another omnibus of exaggerations.